![]() ![]() “It’s his imagination and inner feelings of a city he’s never been to. Zaragoza points out that this is Andrés’ vision of the city. The first time audiences see Miami is in the musical sequence for “Mambo Cabana,” in which Andrés fancies himself singing the song with Marta. For Miami, Zarazoga turned to vintage travel posters from the ’60s and ’70s for inspiration. ![]() “He’s a fish out of water here,” Dalit says. Their love of music takes Vivo on a journey as he sets out to deliver a message from Andrés: a love song to the famous Marta Sandoval (Gloria Estefan) in time for her farewell concert in Miami.įor Key West, art director Wendell Dalit emphasized blue tones to tell the story of Vivo’s first time leaving Havana. 6, “Vivo” follows a one-of-a-kind kinkajou (a mammal native to the tropical rainforest - voiced by Lin-Manuel Miranda) who spends his days in Havana performing in the town square alongside his owner, Andrés (Juan de Marcos of “Buena Vista Social Club”). Meanwhile, Oscar-winning cinematographer Roger Deakins brought his expertise as visual consultant, advising on lighting and helping to give the film a kaleidoscopic, photoreal look. Location scouts and interviews with locals helped Zaragoza in his world-building. Set across Havana, Key West, the Everglades and Miami, the film needed a unique color palette and personality for each locale. Production designer Carlos Zaragoza kept those lively sounds in mind as he created the visuals. The look of Netflix’s new animated feature “ Vivo” is informed by its vibrant Cuban music, a fusion of reggae and mambo. ![]()
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